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Wake1

Cover of The Wake Part One, by Dave McKean

The Wake consists of The Sandman issues #70-75.

The first three issues of the volume, Chapter One, Which Occurs in the Wake of What Has Gone Before, Chapter Two, In Which a Wake is Held, and Chapter Three, In Which We Wake, comprise the wake and funeral held for Morpheus, who dies at the end of the ninth collection, The Kindly Ones. It is attended by "dreamers and guests", "celebrants and mourners"; many have played recurrent roles in the preceding volumes.[3] A series of speakers, of which the last Death, reflect on the life and death of the late Dream King. Meanwhile, the new aspect of Dream, previously the child Daniel, starts relationships with the inhabitants of the Dreaming.

Issue 73, The Wake: An Epilogue Sunday Morning, serves as epilogue to both the wake and the friendship between Hob Gadling and Morpheus, in which Gadling visits a renaissance festival with current girlfriend Guenevere and is visited by Death. Issues 74 and 75 resonate thematically and tonally with the first three issues; in terms of plot, they are placed chronologically.


An Epilogue, Sunday Mourning Edit

Sunday Mourning follows the immortal Hob Gadling and his girlfriend at a Renaissance fair in twentieth century America, where Hob, drunk and alone, encounters Death, who confirms Gadling's suspicions concerning Morpheus' death, and offers him death as well. After some consideration, Hob refuses. He then falls asleep and dreams of meeting Morpheus and Destruction on a beach, where the Dream King also confirms his death, and his companions laugh. The three walk off together, and Hob awakes and returns to his girlfriend.

Note: Gaiman mentioned wanting to do a Renfaire issue with Hob in it because he thought it would be funny for several reasons: Gaiman himself mentioned in "The Sandman Companion" that he never liked Renfaires, particularly in America, and wondered what it would be like if someone from the time popped in.

Exiles Edit

Exiles is something of a companion to a story from Fables and Reflections, Soft Places. It features an adviser to the Emperor of China, sent into exile after his son allied himself with the White Lotus Rebellion. With a significant nod to the parable style, the old man's act of caring for a stray kitten saves his life when he is lost through a soft (ambiguous) place in reality and meets Morpheus, recently released from his imprisonment (Preludes and Nocturnes), and still weak. The old man continues thereafter in the soft place, again meeting Dream (Daniel Hall) who continues Morpheus's conversation. In both conversations he alludes to both former and future events. In the end the old man is reunited with his guide, his loyalty to the Emperor intact.

The Tempest Edit

The Tempest concludes the bargain struck between Dream and William Shakespeare in Men of Good Fortune and featured in A Midsummer Night's Dream. The Tempest sources less from its namesake than A Midsummer Night's Dream though Gaiman's tale reflects the Bard's continually. Gaiman sees The Tempest as a play about "stories and endings" and thus thought it a fitting end to the series, even though he had initially planned to place the issue long before.[4]

Issue Title Writer Penciller Inker Colorist Letterer Ast Editor Editor
70 Chapter 1, Which Occurs in the Wake of What Has Gone Before Neil Gaiman Michael Zulli n/a Daniel Vozzo Todd Klein Shelly Roeberg Karen Berger
71 Chapter 2, In Which a Wake is Held Neil Gaiman Michael Zulli n/a Daniel Vozzo Todd Klein Shelly Roeberg Karen Berger
72 Chapter 3, In Which We Wake Neil Gaiman Michael Zulli n/a Daniel Vozzo Todd Klein Shelly Roeberg Karen Berger
73 An Epilogue, Sunday Mourning Neil Gaiman Michael Zulli n/a Daniel Vozzo Todd Klein Shelly Roeberg Karen Berger
74 Exiles Neil Gaiman n/a Jon J Muth Jon J Muth Todd Klein Shelly Roeberg Karen Berger
75 The Tempest Neil Gaiman / William Shakespeare Charles Vess / Bryan Talbot / John Ridgway / Michael Zulli Charles Vess Daniel Vozzo Todd Klein Shelly Roeberg Karen Berger

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